Randomness Reloaded

Tough and pretty. Merciless and romantic. Extremely unique.
winawinadajcie:

solongasitswords:

nullbula:

thesylverlining:

what happened in roughly 1870 though
why was there temporary internet
with a few people searching for pokemon?

It’s a search of Google books, but the question still stands, what the Fuck happened in 1870

I CAN ANSWER THIS!!
In the Cornish dialect of English, Pokemon meant ‘clumsy’ (pure coincidence).
In the mid 1800s there was a surge of writing about the Cornish language and dialect in an attempt to preserve them with glossaries and dictionaries being written. I wrote about it HERE.


Cool!

winawinadajcie:

solongasitswords:

nullbula:

thesylverlining:

what happened in roughly 1870 though

why was there temporary internet

with a few people searching for pokemon?

It’s a search of Google books, but the question still stands, what the Fuck happened in 1870

I CAN ANSWER THIS!!

In the Cornish dialect of English, Pokemon meant ‘clumsy’ (pure coincidence).

In the mid 1800s there was a surge of writing about the Cornish language and dialect in an attempt to preserve them with glossaries and dictionaries being written. I wrote about it HERE.

Cool!

(Source: neilcicierega, via valinaraii)

I think it’s very healthy to spend time alone. You need to know how to be alone and not be defined by another person.

—Oscar Wilde (via naimabarcelona)

(via nutrifitblr)


Paul Newman in The Hustler (1961)

Paul Newman in The Hustler (1961)

(Source: tierneyed)

languagethatiuse:

Mr. Paul Newman and his wife, Ms. Joanne Woodward doing headstands at home.

languagethatiuse:

Mr. Paul Newman and his wife, Ms. Joanne Woodward doing headstands at home.

Joanne Woodward & Paul Newman in From the Terrace (1960)

(Source: tierneyed)

ancientart:

Bronze statuette of a veiled and masked dancer. Greek, 3rd–2nd century B.C.

The complex motion of this dancer is conveyed exclusively through the interaction of the body with several layers of dress.

Over an undergarment that falls in deep folds and trails heavily, the figure wears a lightweight mantle, drawn tautly over her head and body by the pressure applied to it by her right arm, left hand, and right leg. Its substance is conveyed by the alternation of the tubular folds pushing through from below and the freely curling softness of the fringe.The woman’s face is covered by the sheerest of veils, discernible at its edge below her hairline and at the cutouts for the eyes. Her extended right foot shows a laced slipper. This dancer has been convincingly identified as one of the professional entertainers, a combination of mime and dancer, for which the cosmopolitan city of Alexandria was famous in antiquity. (MET)

Courtesy of & currently located at the Metropolitan Museum of Art, New York, via their online collections1972.118.95.

(via valinaraii)